Probably the world's greatest playright, Tom Stoppard, has died.
Plays like Rosencrantz & Guildenstern are Dead, Jumpers, Travesties, The Coast of Utopia plays, and so many others, were like nothing that had ever been seen before. Stoppard's use of language was brilliant, complex and yet captured your mind and emotions in equal measure.
He was a true genius.
I saw several of his plays on Broadway -- revivals of Jumpers, Arcadia, The Real Thing (in 2000 and 2014) as well as new plays like The Invention of Love and, most recently, Leopoldstadt. I reviewed this last play, his great swan song, in 2023, as well as the 2011 revival of Arcardia and the 2014 version of The Real Thing. Read them here.
And yes, Stoppard also wrote for the movies, winning a screenplay Oscar for the 1998 hit Shakespeare in Love. It had the great line, "That woman ... is a woman!"
Two amazing things about Stoppard's life and career are worth noting.
First, his native language wasn't English. He was borin in Czecholslovakia, escaping the Nazis with his mother in the 1940s, before landing and living the rest of his life in England. From there he would not only learn his new country's language but take it and mold it into magic for six decades. Stoppard is an open-and-shut case for why immigration, and welcoming migrants, is a smart thing to do.
Second, when my parents got together in the late 1960s, they went to the original NYC production of Rosencrantz & Guildenstern Are Dead (I actually have one of their Playbills in the family files). Forty-odd years later my wife and I got together, in part, via our mutual love his plays. Kismet.
RIP Sir Tom. We'll probably never see his likes again.
Here is a local NYC news review of The Real Thing from 1984. "Put the right words in the right order and you can nudge the world a little bit."
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