Of the fifty-something movies that Woody Allen has made over half-century, some are great classics, some are really good, some are just okay, and some are entirely forgettable.
One of my favorite of his movies that is often overlooked in his oeuvre is Manhattan Murder Mystery in 1993. It's actually really good.
The story concerns a middle-aged, empty-nest couple named Larry (Woody) and Carol (Diane Keaton) who live a good quiet Manhattan life with friends and work and culture and all that you could want from marriage and NYC. But Carol is bored -- and when she suspects that their neighbor might have murdered his wife, she takes it upon herself to investigate the "crime", dragging a very reluctant Larry along the way. What starts out as a lark becomes something much, more darker.
And, in the meantime, they talk a lot about the state of their marriage.
By the time Woody made this movie, he had been directing movies for almost 25 years and was already wildly successful and acclaimed. And he was still challenging himself -- he shoots this movie in a documentary, fly-on-the-wall way. He manages to make the filming look casual but there's a steady intention to each shot, a real vision at work, and it's one of my favorite of his movies as matter of pure directing style.
Then there's the cast -- Keaton, reuniting with Woody over a decade since Manhattan, is brilliant and Alan Alda and Angelica Huston, who had appeared, seperately, in Crimes & Misdemeanors a few years earlier, are excellent. And the movie manages to be both an intriguing mystery yarn while also a meditation on getting older and what you want out of the rest of your life.
And it's funny! Woody has made lots of funny movies but this might be one of his best. The humor is so understated that, when a joke arrives, it lands softly and firmly and really tickles your funny bone: "I can't listen to that much Wagner, I get this sudden urge to conquer Poland!"
This movie was also a bit of a turning point in Woody's life and career. When he made it, he was going through his nasty custody battle with Mia Farrow, and that's why Diane Keaton replaced her in the movie (although Farrow, weirdly, after accussing Woody of child abuse, then showed up ready to work; Woody understandable didn't want to work with someone trying to put him in jail). He also wrote the script with his old partner, the recently deceased Marshall Brickman and their magic chemistry shows.
Right after this Woody would make the classic Bullets Over Broadway and then begin an uneven series of movies until the triumph of Midnight in Paris in 2011.
So I highly recommend this often forgotten Woody classic. It's not just a good movie, it's a balm.