Review: "Manhattan Murder Mystery" (1993)

Of the fifty-something movies that Woody Allen has made over half-century, some are great classics, some are really good, some are just okay,  and some are entirely forgettable. 

One of my favorite of his movies that is often overlooked in his oeuvre is Manhattan Murder Mystery in 1993. It's actually really good. 

The story concerns a middle-aged, empty-nest couple named Larry  (Woody) and Carol (Diane Keaton) who live a good quiet Manhattan life with friends and work and culture and all that you could want from marriage and NYC. But Carol is bored -- and when she suspects that their neighbor might have murdered his wife, she takes it upon herself to investigate the "crime", dragging a very reluctant Larry along the way. What starts out as a lark becomes something much, more darker.

And, in the meantime, they talk a lot about the state of their marriage. 

By the time Woody made this movie, he had been directing movies for almost 25 years and was already wildly successful and acclaimed. And he was still challenging himself -- he shoots this movie in a documentary, fly-on-the-wall way. He manages to make the filming look casual but there's a steady intention to each shot, a real vision at work, and it's one of my favorite of his movies as matter of pure directing style. 

Then there's the cast -- Keaton, reuniting with Woody over a decade since Manhattan, is brilliant and Alan Alda and Angelica Huston, who had appeared, seperately, in Crimes & Misdemeanors a few years earlier, are excellent. And the movie manages to be both an intriguing mystery yarn while also a meditation on getting older and what you want out of the rest of your life.

And it's funny! Woody has made lots of funny movies but this might be one of his best. The humor is so understated that, when a joke arrives, it lands softly and firmly and really tickles your funny bone: "I can't listen to that much Wagner, I get this sudden urge to conquer Poland!" 

This movie was also a bit of a turning point in Woody's life and career. When he made it, he was going through his nasty custody battle with Mia Farrow, and that's why Diane Keaton replaced her in the movie (although Farrow, weirdly, after accussing Woody of child abuse, then showed up ready to work; Woody understandable didn't want to work with someone trying to put him in jail). He also wrote the script with his old partner, the recently deceased Marshall Brickman and their magic chemistry shows. 

Right after this Woody would make the classic Bullets Over Broadway and then begin an uneven series of movies until the triumph of Midnight in Paris in 2011. 

So I highly recommend this often forgotten Woody classic. It's not just a good movie, it's a balm. 

Marshall Brickman RIP

The brilliant comic writer Marshall Brickman has died at the age of 88. He wrote for Johnny Carson in the 1960s and then went on to write and/or direct films like Simon, Lovesick, The Manhattan Project, For the Boys, and others.

But he's best remember for two enormously successfully collaborations: he was Woody Allen's co-writer on the great films Sleeper, Annie Hall, Manhattan, and Manhattan Murder Mystery, and he wrote the book for the big hit Broadway musical Jersey Boys (about the Four Seasons).

He co-won an Oscar for writing Annie Hall with Woody -- and the two also played jazz together. Woody has given his old friend and collaborator a memorable tribute that can can read here. 

RIP.

Manhattan - Woody Allen

Woody Allen's 1979 classic Manhattan is 30 years old this year and it certainly hasten lost any of its luster over time. It's as funny and poignant as ever. Before Seinfeld, before When Harry met Sally, before Friends, before Sex and the City, before all those TV shows and movies about yuppie life in NYC, Manhattan defined and influenced the sophisticated urban comedy. If you've never seen it, Manhattan revolves around TV writer Ike Davis (Woody) who quits his job to write a book. Meanwhile he's dating a 17 year old high school student (Mariel Hemingway, foreshadowing Soon-Yi) and getting involved with Mary (Diane Keaton) the mistress of his married best friend Yale (Michael Murphy). To make matters worse, his now lesbian ex-wife (Meryl Streep) is writing a tell-all book about their failed marriage. People lie, cheat, and steal each others hearts. While a very funny movie, Manhattan is, above all, a morality tale about how the way you treat people will eventually come back to haunt you (so people should treat each other well). Manhattan was Woody's first comedy after the Oscar-winning Annie Hall, and a lot of people consider it to be the superior film. In many ways, this was a daring film for its day. In 1979, New York City was in terrible economic shape and crime was exploding (as referenced in this opening from the movie). To make a movie celebrating NYC at the time wasn't a particularly cool thing to do. unlike n ow. Also, gay characters didn't appear in a whole lot of movies then, particularly gay people who were unapologetically "out" and happy about it. Not to the mention that Manhattan was shot in black and white which wasn't exactly something that set the box office on fire, then or now. Still, it's one of the most beautiful movies Woody has ever made and was actually one of his biggest hits ever. Woody Allen co-wrote Manhattan with Marshall Brickman (both had won Oscars for co-writing Annie Hall). Marshall Brickman would go on to write other movies and he's one of the writers of the big Broadway musical hit Jersey Boys. It was the last movie they would write together until 1993 when they co-wrote Manhattan Murder Mystery. Coincidentally enough, Manhattan is also the last movie that Woody and Diane Keaton made until Manhattan Murder Mystery. (After Manhattan, Diane Keaton moved to California and her next big movie was Reds in 1981). Sadly, this great triumvirate hasn't made a movie since 1993 and probably never will again but that's okay ... we'll always have Manhattan.