Midnight on January 1, 2017 was uniquely interesting moment in NYC history. At Times Square, Mariah Carey made a complete botch of her New Year's Eve performance but, just a little further uptown, the long-delayed, long-needed 2nd Avenue Subway finally opened after more than a century of talk and planning. This is a truly historic moment and reminder to the incoming administration that government - GASP - can do good things.
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Tuesday, January 3, 2017
Thursday, December 22, 2016
Interesting Times
There's a Chinese saying: "May you live in interesting times."
This appears to be a blessing but, if you ask Chinese people, they will tell you it is, in fact, the most brutal of curses. Interesting times are usually times of tumult, horror, and misery; war, famine, and disease. Times are only interesting, the belief goes, if they are bad. Therefore it's a condemnation of people to wish interesting times upon them.
Conversely there is a Japanese saying: "May you have a boring life." This really is a blessing.
We are, sadly, living in the Chinese version of interesting times. A fascist, racist, misogynistic, demagogic bully who brags about his penis size, assaulting women, terrorizing immigrants, de-humanizing minorities, encourages violence towards others, and has really bad hair and taste in home decor is due to become the 45th President of the United States in 2017. This awful evil man is going to inhabit the same office as Washington, Lincoln, and Roosevelt. That's interesting. It's also scary. It's a curse. Or is it something else?
This ogre was "elected" because he promises to make our country great "again." He promises to restore the past. As I've blogged about before, this is an impossible goal. But here we are.
In NYC, this clash between the past and present is never ending. Gentrification has made the battle lines stark. That's why you should read this article from Salon that is also an interview with the author of a book about nightlife in NYC from 1988 to 1999. Called "No Sleep", it's a coffee table book collection of "nightlife" flyers for downtown clubs and parties, etc. If you lived in NYC back then, you probably remember seeing these flyers all over the place. They were also sent around to places like my high school, trying to lure out young people with too much money. In short, these flyers are relics of an "interesting" time that no longer exists -- namely, downtown NYC when it was still funky.
It's "interesting" to look at these flyers and and read what the author has to say about the book and take a peak at a world that no longer exists. NYC back then was a rougher place. Many would argue that it was more "interesting." Or not.
What's clear from this book and from the world we're currently living in is that the times are always "interesting." They never stop being interesting. It's hard to think of a time that wasn't. Interesting times never end. But eras do. They are replaced by other eras. And remembering them is a good way to gain perspective on our present and our hopes for the future.
Monday, November 21, 2016
Thursday, November 10, 2016
Memo from NYC
"There is nothing intelligent to say about a massacre" - Kurt Vonnegut
I have never known anyone in my life who committed suicide. In this, I consider myself fortunate. But now I feel like I live in a country that chose to kill itself -- and I have no idea what to say. I have no idea what to say about a country that chooses to massacre its own ideals and decency. To paraphrase Mr. Vonnegut, there's nothing intelligent to say about the hideous decision to make Donald Trump, a product of NYC no less, the 45th President of the United States -- because there was nothing intelligent about it at all.
These are dark days in America.
These are dark days in America.
Let me get straight to the point: Trump only won this election through the Electoral College but he lost the popular vote. That means the majority of Americans, however slight, DO NOT want him to be president (bless them all). Yet this monster slipped through because several states in the Midwest hammered by de-industrialization chose to believe Trump's big lie that he will restore manufacturing jobs in the USA.
He won't. He can't.
The global economy, despite his promises to his followers, is here to stay. Technology as much as trade deals is responsible for the disappearance of those great old well-earning, little-skilled and no-education needed factory jobs. Hillary Clinton and the other GOP candidates for president didn't promise to bring back these jobs because they knew it was impossible. But like the great con man he is, Trump promised to deliver something that he knows he can't. He sold these angry, desperate people snake oil and they bought it because they didn't see any alternative.
He won't. He can't.
The global economy, despite his promises to his followers, is here to stay. Technology as much as trade deals is responsible for the disappearance of those great old well-earning, little-skilled and no-education needed factory jobs. Hillary Clinton and the other GOP candidates for president didn't promise to bring back these jobs because they knew it was impossible. But like the great con man he is, Trump promised to deliver something that he knows he can't. He sold these angry, desperate people snake oil and they bought it because they didn't see any alternative.
That's our failure, that's American society's failure. We didn't give them an alternative, we didn't provide them with any other hope, so they fell for this con man's promises. What else did they have? America has failed so many of its people for so long that they chose to make the most dangerous decision in its history. It took decades for us to get to this point. Hopefully it won't take quite so long for America to rid itself fully of the stench of the Trump presidency and re-gain admission to the decency of the world community.
It'll be interesting to see in four years when Trump's (hopefully only) term will end. Will those great manufacturing jobs have come back? What about all the other stuff he promises? Will he have built that "big beautiful wall" between the USA and Mexico -- and gotten Mexico to pay for it? Will he really deport more than 10 million "illegal" immigrants? Will he really cut taxes, beef up the military, and build our infrastructure while maintaining fiscal discipline? If he does, then he will have succeeded -- at least on the terms he and his supporters litigated this election on. But if he doesn't, then he's a failure.
And I think he'll fail. He'll fail because he was never serious about succeeding in the first place -- he just wanted to get the presidency and did so by selling snake oil to the masses. In four years, he'll be president and they'll still have nothing except broken promises. But actually, they won't even be broken promises because, as I said, they're promises that Donald the con man never intended to honor. How can a man who has no honor actually honor anything? In short, he'll be a bad president because he's a bad man.
That said, it was heartening to see here in NYC and around the country that many Americans aren't taking this nightmare lying down. They're on the streets, protesting. The resistance starts now and let's keep it going until he's president no more.
Friday, October 21, 2016
The 2016 Al Smith Memorial Foundation Dinner
Here are two New Yorkers, the two major party nominees for president in 2016, at the annual Al Smith Memorial Foundation Dinner. This clip tells you everything about this surreal election campaign. It's wacky and historic at the same time.
Tuesday, October 18, 2016
Review: "The Front Page"
It's hard to believe but there used to be very few outlets for people
to get the news. No Internet. No blogs. No social media. No cable.
Radio and television beamed news reports into people's homes and cars
but, if you really wanted to know what was going on in the world, if you
wanted to "deep-dive" into the complexities of the world you lived in,
then you needed to read a newspaper. Yes, read. Read paper. With words
on it. Carefully written words backed up by reporting and facts. Written by reporters. Professional reporters.
Interesting concept, no?
The world of newspaper reporting is a romantic one -- think movies like His Girl Friday, All the President's Men, and last year's Oscar-winner Spotlight. Newspapers were places where hard-boiled
types (usually men) wearing hats and ties quickly pounded out stories
on a typewriter, trying to make that midnight deadline, stories that would speak
truth to power and reveal all the rot beneath the surface of respectable
society. Increasingly newspapers are disappearing as the economic
foundation for them melts away. Back in the day, however, newspapers
were powerful and profitable. They broke news and made news. And perhaps
no play better captured the fevered world of newspapers than the 1928
play The Front Page by Ben Hecht and Charles MacArthur.
Currently playing in a popular revival on Broadway, The Front Page
is one part a newspaper romance, another part a thriller. It's set in
Chicago in 1928, the night before a Communist-sympathizer accused of
killing a black cop is set to be executed. As the plot unfolds, a
conspiracy involving politics and the miscarriage of justice is revealed
along with the personality conflicts and divided loyalties of the
reporters covering the story. Believe it or not, it's a comedy, a
mystery, and a love letter to newspapers rolled into one. It's fun. I
shan't go into great detail about the plot (it's complex) but, if you
want to know more, go here.
This production technically does not open until October 20th but I recently caught a preview of The Front Page.
It has, in short, an amazing cast: Nathan Lane, John Slattery, John
Goodman, Jefferson Mays, Sherie Renee Scott, the legendary Robert Morse,
and many fine others. It's an orgy of talent and everyone in the cast plays their
parts to the hilt. The play itself is quite amusing if not always laugh
at loud funny but the characters are well-defined and compelling. The
plot itself is basically an excuse to play out the wacky interactions of
the different characters and it mostly works. However, given that what I
saw was a preview and therefore an early rough draft of the production,
the timing of the play felt somewhat off, somewhat forced. It was
clear, to me at least, that the actors were getting used to playing their roles.
That said, when Nathan Lane finally arrives about
half-way into the play, it becomes a different show. It becomes fast
and funny. It becomes the kind of screwball comedy you were expecting.
As the swaggering, outrageous owner of a Chicago tabloid, Lane goes full
bore into his character, tearing up the stage with his big personality
and perfect timing. The rest of the cast does its best. John Slattery,
better known as Roger from Mad Men, is wonderful and John Goodman
is lovable even though he's playing a bad guy. I love the actor
Jefferson Mays who plays a snooty reporter (I've seen him in I Am My Own Wife and Journey's End)
and I just wish that he had a bigger part but he's always fascinating
to watch on stage. I'm also glad to have finally seen Sherie Renee
Scott on stage but, like Mays, I wish she had more to do. However, it really is a
great cast and worth seeing.
So I recommend The Front Page if you love comedy, newspapers, the 1920s, and Nathan Lane. It's a paeab to a lost world.
Friday, October 14, 2016
Bob Dylan in NYC
Newly-minted Nobel laureate Bob Dylan -- the first American to win the literature prize in more than two decades and the first member of a super-group to be so honored -- was born and raised in Minnesota. But it was here in NYC, Greenwich Village 1961 specifically, where Dylan's genius first revealed itself to the world.
Working the downtown clubs, singing in venues all over town, Dylan's brilliant songs and lyrics caught fire with a new generation that had just elected its first president born in the 20th century, a spiritually hungry generation that had survived the worst war in history and the conservative era of the 1950s.
For the next fifty-plus years, Dylan would become more than just a popular singer/songwriter -- his music and lyrics would become part of the American conscious for late-20th/early-21st century, a communal reference point for the existential dilemma of a nation of plenty and a nation of tumult. Dylan didn't give us easy answers -- or any answers at all. Instead he asked us questions, hard questions, and dared us to be brave enough to answer them for ourselves.
"How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone"
To be without a home
Like a complete unknown, like a rolling stone"
Questioning, searching, longing, yearning, giving in, giving up, hoping, hating, loving, wondering -- it's all there in Dylan's lyrics, the jumble of emotions and thoughts, the emotive and repressed feelings that we all have at the same time, in various shades, in various ways. And it's precisely because it's so hard to express them that Dylan -- through his poetic voice -- expressed them for us in language both economical and powerful, haunting and familiar. He took the complicated frustrations of this complicated nation and made them clear:
Come senators, congressmen please heed the call
Don't stand in the doorway don't block up the hall
For he that gets hurt will be he who has stalled
There's a battle outside and it's ragin'
It'll soon shake your windows and rattle your walls
For the times they are a' changin'!
Don't stand in the doorway don't block up the hall
For he that gets hurt will be he who has stalled
There's a battle outside and it's ragin'
It'll soon shake your windows and rattle your walls
For the times they are a' changin'!
If you're interested in the early days of Dylan, you must read this recent New York Times article but you should also read Dave Van Ronk's great book The Mayor of MacDougal Street about the early 1960s Greenwich Village folk scene that Dylan emerged from. (Van Ronk was a friend of Dylan's and an early influence -- and Van Ronk is immortalized in the great Coen Brothers movie Inside Llewyn Davis that takes place in January 1961 right as Dylan emerges.)
And if anyone out there doubts that Mr. Dylan should have won this prize, just remember that he's the guy who wrote:
And if anyone out there doubts that Mr. Dylan should have won this prize, just remember that he's the guy who wrote:
Before you call him a man?
How many seas must a white dove sail
Before she sleeps in the sand?
Yes, and how many times must the cannon balls fly
Before they're forever banned?
The answer, my friend, is blowin' in the wind
The answer is blowin' in the wind
Thursday, October 13, 2016
To Live and Eat in NYC
Walk down any street in our fair city and you'll find food options a
plenty. Chinese, Indian, Italian, Mexican, seafood, fast food, diners,
etc. etc. -- all the usual culinary suspects are present and accounted
for ad infinitum all over town. Even some of the more obscure,
off beat, less obvious choices -- like Korean Cajun or Afghani food --
can be found here as well. To live in NYC is to eat NYC, if you catch my
drift.
One thing that NYC does very well, even our city's biggest detractors would agree, is deli. This is a town where you can get all kinds of great soups, "sammiches", and other tasty Jewish inspired fair. Some delis, like Katz's, are world famous -- even infamous. (The food at Katz's is so good that it made someone have an orgasm in a movie.) Another revered deli is the Carnegie, also made famous in a movie (Woody Allen's Broadway Danny Rose). And yet, like so many old-school institutions in NYC these days, the Carnegie is fated to close. On December 31st it will shut its doors.
One thing that NYC does very well, even our city's biggest detractors would agree, is deli. This is a town where you can get all kinds of great soups, "sammiches", and other tasty Jewish inspired fair. Some delis, like Katz's, are world famous -- even infamous. (The food at Katz's is so good that it made someone have an orgasm in a movie.) Another revered deli is the Carnegie, also made famous in a movie (Woody Allen's Broadway Danny Rose). And yet, like so many old-school institutions in NYC these days, the Carnegie is fated to close. On December 31st it will shut its doors.
Now this blog is nothing if not nostalgic. I harp on and on about how
this town has become gutted by money, the old and wonderful being
replaced by the new and cheesy. But I cannot include the Carnegie Deli on this
list. First, the Carnegie is not a victim of gentrification and rising
rents -- the owners simply wish to close it. Second, even its biggest
fans agree, the Carnegie long ago stopped being a real grubby New York
joint and became a complete tourist trap. Third, and this is just my
humble opinion, the Carnegie was never really that good to begin with.
Yes, it had NYC "cred" (for a while at least); yes, the great comics and
writers and showbiz types hung out there; and yes, the sandwiches were
huge. But really, it was overrated. The tables were cramped, the waiters
were rude, and, while the meat in the sandwiches was first-class, the
bread was bad and the lettuce was cheap. Even though the meat was
good, there was so much of it that eating the sandwiches was more of an
ordeal than a pleasure. Who in their right mind can or wants to each
that much meat in one sitting? It was ridiculous and not charming. So
while I'm sad, in theory, that the Carnegie is closing, it does not mark
for me, at least, a great loss for the NYC culture.
That said, Rao's, the historic East Harlem Italian restaurant, is a
great piece of the NYC food culture. The impossible-to-get-into "joint"
serves some of the best Italian grub that I've ever had -- the lemon
chicken, the meatballs, and the cheesecake are outstanding. The original
NYC Rao's is 120 years old but now there are locations in LA and Las
Vegas that are very popular, and you can also buy their sauces in
grocery stores and their cookbooks online and in bookstores. Vanity Fair
has a huge article this month about the history and lore of Rao's and
it's worth checking out. I've eaten there twice (one of the lucky few)
and it really is a fun place. If this place ever closes, I'll actually
be sad.
Friday, September 16, 2016
Crazy Eddie RIP
The genius has died. All New Yorkers who remember the 1980s mourn. I wrote about him in 2008. Read it here.
Friday, September 9, 2016
How to Live in NYC
Living in NYC - it's oh so hard. And yes, it is, that's not mere hyperbole. (I'm sure I need not count the ways.) But there are a couple of counterfactuals, things that go against the popular grain of the exigencies of life in NYC.
First, paid sick leave -- it's a roaring success! Several years ago there was much debate in this city about whether or not requiring companies to provide paid sick leave would hurt the economy and cost it jobs. (Oh yes, 'twas very controversial.) Turns out -- it doesn't! In fact, ever since paid sick leave was mandated, the city's economy has boomed and more jobs have been created. So in NYC today there more jobs and they provide paid sick leave. Ain't that grand?
Okay, great, I got a job with paid sick leave. So where am I gonna live? Where can I find a place I can afford?
Staten Island
might be the place. There is a boom in apartment construction there, it
is becoming an increasingly desirable place to live. No longer is it a
Guido Alabama, the black sheep of NYC. Staten Island is becoming a housing magnet, a place where you can still be middle class (sorta) in NYC.
So yes, life in NYC is hard but not, always, impossible.
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