The late night television talk show has been a staple of American life ever since Steve Allen launched The Tonight Show in NYC in 1954. Over the decades the names of late night hosts became staples of American culture: Carson, Letterman, Leno, and Stewart ruled the late night airways collectively for over half a century, and their replacements -- Fallon, Kimmel, Colbert, and ... Stewart -- have all dominated late night TV for over a decade now.
In those same decades there have been lots of other talk shows that have come and gone -- Merve Griffen, Dick Cavett, Conan, Corden, and many others. Up until a few years ago there was a glut of late night shows until economic pressures led to many of them being cancelled. Even the big late night shows are in decline -- their ratings are way down, their doing fewer shows per week, their losing their bands, and they no longer have the kind of agenda-setting, social currency that they used to have.
But thirty-odd years ago, the late night landscape was very different. It was the time of the big transition from the 30-plus year reign of Johnny Carson to the duopoy of Leno and Letterman.
It was also the time when Arsenio Hall -- young, loud, black, and wild -- challenged the white-guy late night establishment and created memorable TV moments, including then-Arkansas Governor Bill Clinton playing the saxaphone and then getting elected president. Late night TV was a hot place, and it seemed like it was the pulse of American culture.
One totally forgotten late night show from that time was Night After Night with Allan Havey. It ran on Comedy Central (first called the Comedy Channel) from 1989 to 1992 and was really different and quite original.
Coming several years before the start of The Daily Show, Night After Night was a largely tradditional talk show except for some big differences. Allen would begin each show sitting at his desk and, instead of the regular monologue, he'd just talk and riff. It was more like the opening to a radio show than a TV show but he did it really well and was very funny. Then he'd interview his guests and the conversations were much more interesting than anything you'd hear on the late night shows. This show obviously ran many years before podcasts but his interviews were more in-depth and podcast-like than anything else at the time. Also, he played a constant gag on the audience -- his studio audience literally consisted of one person, his "audience of one", usually someone visiting NYC.
Night After Night was a calm, smart, funny show that was, quite frankly, a relief from the raucous, loud, and sometimes quite dumb late night shows. And it was really New York, almost like a late-night Manhattan cable access show brought into the mainstream.
I remembering watching this show in high school and enjoyed it a lot. I remember on the night that Johnny Carson retired in 1992, they simply paused the show so that everyone else could watch it, and instead just showed an advertisement for Tabasco the whole time. I remember he interviewed the lady who played (and still plays) Lisa Simpson who talked about how many times she had turned eight on the show. And I remember this episode from 1992 when he interviewed an actress/comedien named Stephanie Hodge who was the star of a Saturday night sitcom on NBC called Nurses (a spinoff of another show called Emptyness that was itself a spinoff of The Golden Girls). It aired in the summer of that year, just before I started 10th grade -- and just months before Night After Night was cancelled, and Stephanie Hodges was fired from Nurses.
Many other late night shows have obviously come and gone since Night After Night was cancelled -- and Allan Havey has gone on to have a great career as an actor, including appearing on Mad Men. But there's never quite been another late night show like this, a really funky NYC show, and so Mr NYC is happy to remember this little piece of NYC late-night culture from a very different time.
