Beyond the Green Light

Over the years I've blogged about my love for F. Scott's Fitzgerald's novel 1925 The Great Gatsby.

Yes, it's the Great American Novel, one of best in all of American and world literature.

Yes, it's a beautifully written snapshot of life in Roaring Twenties NYC -- the parties, the bootleggers, the indulgent affluence leading to the Great Depression and the Second World War.

Yes, almost everyone reads it in school and either loves it or hates it (or, more accurately, either "gets it" or doesn't).

Yes, it's been made into movies, including the 1974 version with Robert Redford and the 2013 with Leonardo Di Caprio, two of the biggest stars ever.

Yes, it's the final word on the promise and tragedy of the American dream.

And that's where the novel's "greatness" lies. It shows that the American dream lies betwix and between tragedy and promise, between hope and loss, that both are true at the same time. After all, we're the same nation that declare freedom and human happiness the keys to human dignity in our nation's founding documents -- yet affirmed slavery at the same time.

Jay Gatsby, poor boy from North Dakota, reinvents himself as a Long Island millionaire (thanks to bootlegging) in order to win the heart of his lost love Daisy. But it all goes horribly wrong and he dies. He hope, as Fitzgerald writes, to recreate the past and, even though he fails, the hope endures. It is symbolized by the green light at the end of Daisy's dock that Gatsby stares at, night after night, his hope of winning her love back never dying. Love endures, hope endures, even when tragedy is everywhere.

Another thing that attests to the greatest of Gatsby is that you don't have to be an American to appreciate or be moved by it. Australian Baz Luhrman, who directed the 2013 Great Gatsby, writes movingly here about his love for the novel. Best of all, he reminds us that, as free people, as hopeful people, we should all "live for the green light."

F. Scott Fitzgerald couldn't have said it better. And these days, like the novel itself, it's more relevant than ever.