Out On The Streets

The streets of NYC have so much romance attached to them that there have literally been great songs written in their honor  -- "The Sidewalks of New York", "Across 110th Street", and "Positively 4th Street" just to name a few.  

Right now, and until the end of October, there's an exhibit in Greenwich Village called Village Voices 2002 where, on the streets of the beloved neighborhood, there are boxes with small exhibits and recordings that tell you the history of the streets their located on. 

The streets of NYC have a magic to them, representing the limitless possibilities of this city in concrete and steel.

But the streets of NYC also have an obvious menace. Danger lurks on them, intertwined with the glamour and excitement of the city. And while the streets of NYC are always fascinating to traverse, it's another thing if that's where you have to live, where you are forced to make your home. The expression "out on the streets" is as scary a threat as there is.

One Year, a podcast series that chronicles little-known or forgotten news stories from years past (recent seasons were 1977 and 1995) is currently doing a season on 1986. Their latest and last episode from this season is called "The Man From Fifth Avenue" about a movie of the same name that none of us have ever or will ever see but that became something a scandal in that summer 36 years ago. It follows a man named Joe being evicted from his apartment on the Upper West Side -- he faces life "on the streets", hurtling towards certain death in penury. This episode, which is a must-listen, tells the story of this man and his predicament, a fascinating NYC story that is way more complicated and with a much more unbelievable backstory than any of us could have imagined.

So why was the The Man From Fifth Avenue a scandal? Because it was -- ready for this? -- a piece of communist Soviet propaganda. This "movie" was created, with Joe as the willing tool, to demonstrate the greed and cruelty of American capitalism to Soviet citizens, to make them appreciate their "workers paradise" -- never mind that their country had many homeless people "on the streets" too. The problem for the USSR was that this movie came out around the same time as the Chernobyl disaster that would expose the venal dishonesty and incompetence of the Soviet system -- and that would lead to its demise five years later. 

There's another way to think about this movie and how it relates to our lives today: it was an early piece of disinformation -- although this time targeted at the Russians and not Americans -- that would eventually come back to haunt us in our presidential election 30 years later. It's also a reminder that while communism fell in the Soviet Union/Russia, what came afterwards was equally scary. And, closer to home, it was an example of dislocation and gentrification that have rocked NYC in the decades since. This propagandistic movie was a giant lie that also exposed certain uncomfortable truths. 

The streets of NYC have always held, and always will hold, so much promise and so much danger.