Up from the Ashes

Reincarnation may not exist but sometimes, as the saying goes, "what's old is new again"; people or things from the past are either resurrected, rediscovered, or reimagined for new generations.

Think of every reboot of every old show currently on television.

Well, this blog post is not about TV reboots but about two very seperate, very old, and very NYC things that have, in very different ways, gone from old to new again.

The first, most notably and most infamously, is the World Trade Center. For almost 30 years the Twin Towers glowered over NYC until September 11, 2001. The next several years a battle over rebuilding what was known, for a long time, as Ground Zero until, more than a decade later, One World Trade Center emerged as its replacement. The new tower was obviously a reminder and a replacement of the old World Trade Centers, the past coming back to life in a new way, up from the ashes, into the future. 

The man at the center of rebuilding the World Trade Centers, of turning Ground Zero into a gleaming, shining structure, was Larry Silverstein. He has a new memoir about his long career as an NYC builder and what it took to rebuild in Lower Manhattan -- although, as this article points out, while a gorgeous new building was constructed, the thing was a big missed opportunity. Instead of reimagining the area as a mixed-use, residential/commercial, affordable neighborhood, they just built another big office buidling that, nearly a quarter of a century from 9/11, remains largely empty.

But another, more enjoyable rediscovery, is the 1981 movie They All Laughed. Made by NYC director Peter Bogdanovich, it was a mad caper about private detectives hired to follow unfaithful wives -- until the detectives get double-crossed by their prey and hilarity ensues. At the time of its release, it was a critical and commercial flop, and it marked the end of Bogdanovich's time as an A-List director. For decades it wasn't watchable anywhere but now it was reemerged, to great acclaim, on TCM and currently steaming on Max. 

It's great to see older, excellent, and underappreciated work rediscovered. Also, directors Quentin Tarantino and Wes Anderson have said that this film specifically was an influence on them. From the ashes of critical and commercial ignomy to the heights of canon and influence, that is something great to see.