Well this is certainly a Mr NYC first: I'm reviewing a current Broadway show that I had previously blogged about as being a historical curiosity relegated to the distant past.
I'm talking of course about Chess, the messy and failed 1988 musical that has been revived to massive success on Broadway. In 2021 I wrote a lot about how its various problems and controversies doomed it almost 40 years ago, and I mused about whether any producers might have the courage to rework and revive it.
And they did!
Perhaps Mr NYC played a small part on this? (Who knows, only that I was ahead of my time.) So here's my review of the revival:
Set in 1979, the plot involves two brilliant chess masters, American Freddie and Soviet Russian Anatoly, who are set to compete in Milan. The match is heavy with Cold War politics, and the CIA and the KGB want Freddie to lose the match so that the Russians will be willing to engage in the Salt II Nuclear Talks. Freddie doesn't want to do this, obviously. Caught between them in Florence, Freddie's lover whom he mistreats and who, through various personal and political events, moves over to Anatoly -- who then defects to England with Florence, leaving his wife and children behind. Eventually, four years later, they all come together at another chess match in Bangkok -- the all of their fates intertwine and explode.
This version of Chess has a new book that simplifies and clarifies the story. Some of the songs have been put in a more logical order that does a better job of pushing the narrative story. As for the story itself, it still doesn't really work as being quite as compelling as it aims to be, and the characters are a bit two-dimensional. That said, it never lags and you're never bored. Not at all! It's massively entertaining.
Chess is both helped and hindered by a narrator who explains all of the action and the historical context of the show. Because this version is being staged almost 40 years after the fall of the Soviet Union, it is therefore presented in a "once upon a time ..." fashion which gives the audience more perspective -- something obviously not possible in 1988. So that was good. Unfortunately the narrator tells a lot of dumb, corny, jokes that gives the show some humor (it's otherwise pretty heavy) but that is tonally dissonant with the rest of the story.
However, the songs are amazing, and the production is brilliantly staged.
Lea Michele, as Florence, is beyond great -- she is a true Broadway star, the best of her generation, and her version of "Nobody's Side" is so hot, so on fire, it nearly burns the theater down. Aaron Tveit as Freddie and Nicholas Christopher as Anatoly are also great, incredible singers and actors who play these tortured geniuses struggling to survive. The rest of the supporting cast is strong and I must give a shout-out especially the ensemble which is on stage for the entire show and sings and dances throughout, performing many complicated numbers. They are the heart of this show and are wonderful.
So see Chess for a good time, a piece of fun Broadway theater -- a reminder that yesterday's failure can be tomorrow's triumph.
